A Partial List of Michael's Published Work:
- We Missed - Autumn Sky Poetry - 2007 Issue 7
- The Accountant - Right Hand Pointing - Issue 40 - Harsh Mathematics - April 2011
- House Arrest - Rose & Thorn Journal Spring 2011
- Sis - The Montucky Review - March 2012
- Pronouns - Fire Glass Magazine
- Toy Soldiers -Boston Literary Magazine - Summer 2013
- Slipped Out Of Her Jeans - Liquid Imagination - Issue 19 August 2013
- Anticipation - Apeiron Review - Issue 5, 2014 (Index 105)
- In Bed - Apeiron Review - Issue 5, 2014 (Index 106)
- I Stole Your Voice - Boston Literary Magazine - Spring 2014
- I Listen to My Cereal - Boston Literary Magazine - Spring 2014
- Without You - Nude Bruce Review - Issue 5 -Summer 2015
- Obsession - Ordinary Madness - Vol 1 - Aug 2017
- In Praise of Green Blades - Remington Review - Spring 2019 Volume. Page 1
A number of poems by Michael have also appeared on VerseWrights
Foxtrot
The miles between us are narrow ruled
I can't count the times we've tripped
over those same one syllable words
you the progressive one
me the traditionalist
trying to attain proximity
without over indulgence
without red flags
without precociousness
we dance around well enough
without the steps we most admire
too close for comfort
to distant to satisfy
Appeared in WestWard Quarterly - Fall 2011
Coming Out
So prudish,
so fitting.
In their proper place,
miniature nick-knacks
adorning shelves.
Space assigned to them.
So provincial,
standing among their own.
Delighting onlookers;
on command
twirling in whirly -skirts,
till taken down,
played with
and returned.
Their lives
pleated,
ironed,
washed and hung out
to dry;
have shrunk
and wrinkled
with the passing time
and the shelf
will no longer do.
Sport Utility Poem
Let me shove this in your face
guzzle up words in excess
burn high octane adjectives
belch superlatives your way
my verbs are bigger than yours
because that is how I want them
need has nothing to do with it
I could compact or subcompact
but why, when I can take my poem
where I want- through the fucking mud
off the page and around couplets and haikus
into places your creampuff iambic pentameter can’t go
and I’ll leave you in my oxymoronic dust
passing everything on the road
except a dictionary- cause a guy’s gotta refuel
and I don’t mind that- economy is not my thing
there’s an endless supply of words
so I charge ahead with my bumper
raised high as my ego- flipping off orthodoxy
Appeared in the Rockhurst Fine Arts Review - Edition 19 - Spring 2006
The miles between us are narrow ruled
I can't count the times we've tripped
over those same one syllable words
you the progressive one
me the traditionalist
trying to attain proximity
without over indulgence
without red flags
without precociousness
we dance around well enough
without the steps we most admire
too close for comfort
to distant to satisfy
Appeared in WestWard Quarterly - Fall 2011
Coming Out
So prudish,
so fitting.
In their proper place,
miniature nick-knacks
adorning shelves.
Space assigned to them.
So provincial,
standing among their own.
Delighting onlookers;
on command
twirling in whirly -skirts,
till taken down,
played with
and returned.
Their lives
pleated,
ironed,
washed and hung out
to dry;
have shrunk
and wrinkled
with the passing time
and the shelf
will no longer do.
Sport Utility Poem
Let me shove this in your face
guzzle up words in excess
burn high octane adjectives
belch superlatives your way
my verbs are bigger than yours
because that is how I want them
need has nothing to do with it
I could compact or subcompact
but why, when I can take my poem
where I want- through the fucking mud
off the page and around couplets and haikus
into places your creampuff iambic pentameter can’t go
and I’ll leave you in my oxymoronic dust
passing everything on the road
except a dictionary- cause a guy’s gotta refuel
and I don’t mind that- economy is not my thing
there’s an endless supply of words
so I charge ahead with my bumper
raised high as my ego- flipping off orthodoxy
Appeared in the Rockhurst Fine Arts Review - Edition 19 - Spring 2006
House Arrest
The first day,
he sank
a flattened
wet cardboard box.
He never lost hope
(maybe once)
hours grew long
like rodent’s teeth
when prevented from gnawing
until days and nights
came together and one
could not be distinguished
from another and time
meaningless
always stood watch.
Walls he once had a hand in
decorating now chilled concrete
he didn’t recognize,
each machete blade
of the ceiling fan
silently poised
above his head.
Guards brought meals,
an occasional letter
(always pre-opened) something taken
from its context.
After a while they were no longer
enemy, just an extension
of the door—he could not pass.
Through the months he learned
to take his heart out. Hold it,
—remind it that it too was loved.
Appeared in Rose & Thorn Journal Spring 2011
Obsession
You’ve become a transparency
overlapping everything in my mind.
I see you in every crowd. You inhabit
my dreams and can be see permeating
every picture— wedged somewhere
behind or to the side of the subject
photobombing your way into my life.
Last night from the other room
I heard your name called out
in a commercial on TV;
Obsession— Obsession--
Of course my interest was piqued
by this Calvin Kline whose name
was mentioned. Who is this man
and what has he to do with
my Obsession?
Appeared in Ordinary Madness Volume 1
Something We Held in Common
Did I miss you
because you were not here
or because I only knew a concept of you?
Can you be angry at someone
you don’t really know
and love them at the same time?
Your name was all I had of you.
It was our name; something we held
in common when I didn’t even have a picture
of you to hold. So, I didn’t really have you.
I could not produce you
for parent-teacher night.
I could not explain
to friends what I did not
understand myself.
When mom sent me with a proxy
to Indian Guides, it was the longest night ever.
Neither of us wanted to be there,
sitting cross legged on the floor
thinking of senseless Indian names
for each other in some cute father son way.
And later, when he wanted to take your name
away from me – in exchange for his,
I would have no part of it.
First appeared in Boston Literary Magazine
This work by Michael Allyn Wells is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Based on a work at MichaelWells.ink.